The Hues Corporation - I Caught Your Act (1977) (Vinyl Lp) – €10,00

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Although the Hues Corporation helped launch disco's earliest strivings with the 1973 smash "Don't Rock the Boat," by the time the end of the decade rolled around, the band was merely playing catch-up with the rest of the pack. 
The band was fully locked into the soft disco sound that flooded the market, and it was a sacrifice. 
By surrendering so completely to what had become a marketable sound, the band relinquished the excellent harmonies and arrangements of their earlier material. 
That change stripped the band of much of their strength. 
This is extremely evident across I Caught Your Act. 
The songs are well paced and make all the right noises, but pale in comparison not only to their peers on the scene, but also to the band's own catalog. That said, however, there are some nuggets here as well. 
The melancholy "I Can't Put My Finger on It" pulls a sweet melody out of its bag, while the title track has energy enough to stand tall on its own. 
"Ali Baba's Got the Blues" must be one of the most underestimated and understated songs in the history of popular music. An ordinary album track on a less known album.
It would, in fact, bring the band back into the charts -- barely -- scraping into the R&B charts at number 61 in May 1977. 
This is not a great album; it's not even necessarily a good album. 
And certainly in light of the cohesion this band had at the beginning of the decade, its flaws are even more pronounced. 
The album is a minor release recommended mostly for dedicated soul completists. It trades the group's distinct early identity for commercial conformity, resulting in a standard, middle-of-the-road 1970s pop record.


Side one
1.  Telegram Of Love - 3:14
2.  Deep Down - 3:35
3.  I Can’t Put My Finger On It - 3:15
4.  What You Need Is Lovin’ - 3:30
5.  Dancing Together Again - 3:24

Side two
1.  I Caught Your Act - 3:34
2.  Natural Find - 4:03
3.  I Love You A Lot - 3:32
4.  Ali Baba’s Got The Blues - 3:01
5.  You Brought The World To My Door - 3:35

Companies, etc.


Credits

Recorded at RCA’s Music Center Of The World, Hollywood, California.
Manufactured and Distributed in Canada by RCA Limited – Record Division.
(C) 1976, RCA Records (P) 1977 RCA Records


Notes
Release:  1977
Format:  LP, Vinyl
Genre:  Soul, Funk, Disco
Label:  Warner Bros.
Catalog#  BS 3043

Vinyl:  Goed (Excellent)
Cover:  Goed (Excellent)

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Udo Jürgens ‎- Udo Live - Meine Lieder Sind Wie Hände (1981) - 2Lp

Udo Live – Meine Lieder sind wie Hände ist ein Doppel-Live album von Udo Jürgens aus dem Jahr 1981. 
Es fängt die stimmungsvolle Konzertatmosphäre des Sängers und Entertainers ein. 
Hörer bewerten das Album (u. a. auf AllMusic) als starkes, authentisches Live-Dokument seiner musikalischen Blütezeit
Eine Joachim-Heider-Produktion im Auftrag der Udo Jürgens Music. Aufgenommen am 12./13.9.1980 in der Sporthalle Köln. Originalaufnahmen der gleichnamigen ZDF-Show.

Stimmung: Udo Jürgens zeigt sich hier alsnahbarer, emotionaler Liedermacher und grandioser Live-Interpret.
Musikalität: Die Arrangements verbinden große Chansons mit ruhigen, nachdenklichen Momenten und Publikumsnähe.
Wertung: Fans und Sammler (vgl. Diskussionen auf Discogs) schätzen die Pressung als analoges Gold der späten 70er/frühen 80er-Jahre-Live-Ära von Jürgens.



Side one
1.  Intro: Wort - 0:56
2.  Meine Lieder Sind Wie Hände - 3:16
3.  Alles Was Ich Bin - 1:51
4.  Wir Singen Für Dich - 2:36
5.  Ich Schrieb Nie Ein Lied Für Karin - 4:07
6.  Tausend Jahre Sind Ein Tag - 7:46

Side two
1.  Soviel Sprachen Hat Die Erde - 3:16
2.  Ist Das Nichts - 4:41
3.  Jamaica Mama - 3:08
4.  Du Allein - 3:48
5.  Es Darf Gelacht Werden - 4:40

Side three
1.  Wort - 8:05
2.  Disco-Stress - 4:38
3.  Medley - 6:19
    (a) Was Wirklich Zählt Auf Dieser Welt
    (b) 17 Jahr, Blondes Haar
    (c) Und Immer Wieder Geht Die Sonne Auf
    (d) Der Teufel Hat Den Schnaps Gemacht
4.  Paris – Einfach So Nur Zum Spaß - 3:55

Side four
1.  Medley - 5:34
     (a) Ich Weiß, Was Ich Will
     (b) Merci Chérie
2.   Nur Ein Lächeln - 6:18
3.   Alles Im Griff (Auf Dem Sinkenden Schiff) - 3:30
4.   Was Wär‘ Diese Welt Ohne Lieder - 3:07


Notes
Released: 1981
Format:  2 × Vinyl, LP, Album
Country:  Germany
Genre:  Duitstalig, Schlager
Label:  Ariola ‎
Catalog#  301.417

Vinyl:  Goed (Excellent) 2LP
Cover:  Linksboven gebruikerssporen (VG)  Gatefold

Prijs: €12.00
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Tom Kimmel - 5 To 1 (1987) (Vinyl LP) - €10,00

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Tom Kimmel (born Thomas Eugene Hobbs II in 1953) is an American singer-songwriter and poet.
Born in Memphis, Tennessee, Kimmel grew up largely in small towns in south Alabama. He attended public schools and graduated from the University of Alabama in 1975.
Kimmel is known as a songwriter, and his compositions have been recorded by many popular artists, including Johnny Cash, Waylon Jennings, Linda Ronstadt, Joe Cocker and Randy Travis. 
His songs have also been featured in television series including Miami Vice, Touched by an Angel and Dawson's Creek — and in films including Twins, Runaway Bride and Serendipity.
"That's Freedom", the lead track on his "5 to 1" album, was co-written by Kimmel and reached #64 on the Billboard Hot 100 in July 1987 
The song was later covered by Australian singer John Farnham, reaching #6 in the Australian charts in late 1990 and going Gold there, as well as charting well in parts of Europe.
This is such a terrific album - there really isn't a bad song on this record.  
Then again, there are several songs on this album that simply were overlooked. 
Since Tom was an unknown, Polygram just didn't seem to support this record. Songs like "Shake" just ooze airplay. 
A really well written (if not a tad cheesy) ballad called "A to Z" which - especially in 1987, was as good a ballad as anything else out there at the time and yet another track that begs for airplay. 
It continues - "Tryin' To Dance' was a single and did indeed chart on the Billboard Mainstream Rock charts for a bit, but it was another lost song. 
Overall, a really strong album that got lost in the shuffle in 1987.


Side one
1.  That’s Freedom - 4:15
2.  Shake - 4:15
3.  Tryin’ To Dance - 3:16
4.  A To Z - 4:19
5.  True Love - 4:50

Side two
1.  Heroes - 4:26
2.  On The Defensive - 3:56
3.  Violet Eyes - 3:35
4.  No Tech - 2:32
5.  5 To 1 - 6:13


Companies, etc.

Credits

Notes
Release:  1987
Format:  LP, Vinyl
Genre:  Rock
Label:  Mercury Records
Catalog#  832248-1

Vinyl:  Goed (Excellent)
Cover:  Goed (Excellent)

Prijs: €10,00
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Los Lobos - … And A Time To Dance [EP] (1984) (Vinyl EP) – €10,00

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...And a Time to Dance is a 1983 EP by Los Lobos. It was co-produced by T-Bone Burnett and Steve Berlin (not yet a full-time member of the band) and was the band's first release on Slash Records. 
The EP brought the band its first wide acclaim. It was voted best EP of the year in the Village Voice's influential Pazz & Jop critics poll. 
Critic Robert Christgau gave the record an "A−" in his Consumer Guide, calling it "good old rock and roll East L.A. style." 
Trouser Press raved about "a spicy romp (in two languages) back and forth across musical borders few can traverse with such ease," while Rolling Stone called it "an infectious dance record that deserves to be heard by rock fans."
1983's ...And a Time to Dance wasn't Los Lobos' first record, but if you lived outside of East Los Angeles, chances are excellent that you'd never crossed paths with a copy of their self-released debut album (Del Este de Los Angeles (Just Another Band from East L.A.)) before this EP hit the racks. At only seven songs, ...And a Time to Dance didn't give the group the space to present more than a quick once-over of their eclectic musical range, but it did make it clear that this was a really great band, with the kind of chops, intelligence, and maturity that can come from a decade of woodshedding. And on ...And a Time to Dance, not only was the band having a great time playing "spot the genre" with their audience, they were crossbreeding styles and coming up with great sounds all their own: the straight-up rock & roll of "Let's Say Goodnight" is fortified with a strong dose of Tex-Mex fire thanks to David Hidalgo's accordion, the bluesy swing of "Walking Song" gets a spring in its step from a fleet-fingered jazz guitar line, and the two traditional numbers in Spanish both burn with the high spirits and hot tempos of a potent rock & roll band. And it's hard not to love a song like "How Much Can I Do?," in which a guy tries to prove his love to his wife by promising to lay off cheap wine and nights out at the nudie bar. 
If ...And a Time to Dance didn't quite make clear Los Lobos were one of America's truly great bands, it did make clear they were a lot of fun and a force to be reckoned with, and that's quite enough of a message to pass along in seven songs.
The track "Anselma" won the first Grammy Award for Best Mexican-American Performance.


Side one
1. Let’s Say Goodnight - 2:32
2. Walking Song - 2:38
3. Anselma - 3:08

Side two
1. Come On Let’s Go - 2:11
2. How Much Can I Do - 2:21
3. Why Do You Do - 2:38
4. Ay Te Dejo En San Antonio - 2:38


Companies, etc.

Credits

Notes
Release:  1984
Pressed:  Germany
Format:  LP, Vinyl
Label:  Pläne Records
Catalog#  88379

Vinyl:  Goed (Excellent)
Cover:  Goed (Excellent)

Prijs: €10,00
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Biddu Orchestra - Rain Forest (1976) (vinyl Lp) - €5,00

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Biddu Appaiah (born 8 February 1945), known mononymously as Biddu, is an Indian-British singer-songwriter, composer, and music producer who composed and produced many worldwide hit records during a career spanning five decades.
Considered one of the pioneers of disco, Euro disco, and Indian pop, he has sold millions of records worldwide, and has received an Ivor Novello award for his work.
He has been ranked at number 34 on NME’s “The 50 Greatest Producers Ever” list.
In 1976, Biddu produced his own “Rain Forest” LP, credited to Biddu & His Orchestra.
This album "Rain Forest" earned him four Ivor Novello Awards, including the “Songwriter of the Year” award.
Combining swishy disco instrumentals with the composer’s own Eastern influences, the album proved to be another foray into danceable pop as the title track comes on strong, leaving the rest of the set to unfurl like so many leaves.
And it did indeed score Biddu his second U.K. hit single — just inching into the Top 40 in April, with the catchy “Chic-Chica-Chic-Chica-Chic” hovering just behind. With the quiet “Laura,” “Wings of Love,” and “Trippin’ on a Soul Cloud” rounding things out, alongside his cover of the My Fair Lady staple “I Could Have Danced All Night,” Biddu may not have recaptured his “Summer of ’42” glory, but he surely sounded like he had fun trying.
Although the composer’s style can be hard to handle, and while his songs sometimes stumble, his ideas sowed the seeds that grew into the (much) later trend of Indian influenced dance music.
Easier on the palate for fans than for band-wagoneering aficionados, Rain Forest nevertheless takes its rightful place in the often eccentric British disco scene.


Side one
  1. Rain Forest - 4:40
  2. Chic-Chica-Chic-Chica-Chic - 3:05
  3. Jump For Joy - 3:11
  4. Laura - 4:45
  5. Soft And Sexy - 3:50
Side two
  1. I Could Have Danced All Night - 3:40
  2. Trippin On A Soul Cloud - 4:00
  3. Wings Of Love (Aria) - 4:26
  4. Rock Me With Your Love - 3:48
 
Recorded at Nova Studios in London 1976

Companies, etc.

 Credits

Notes
Release: 1976
Format:  LP, Vinyl
Genre:  Disco
Label:  Epic
Catalog#  EPC 81168

Vinyl:  Goed  (Excellent)
Cover:  Gebruikerssporen (VG)

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Peter Allen - Taught By Experts (1976) (Vinyl Lp) - €7,00

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“Taught by Experts” is the fourth studio album by Peter Allen, released in 1976.
It spawned the hit “I Go to Rio”. The album featured such musicians as Thom Rotella, Jerome Richardson, Lesley Gore and Dusty Springfield.
Sounding like a cross between Neil Sedaka and Billy Joel, without the Top 40 appeal of those voices, Peter Allen certainly seemed like a man who was much too Broadway for the pop charts he helped Olivia Newton-John, Melissa Manchester, and Christopher Cross climb.
His version of “The More I See You” is a safe remake, but a Chris Montez cover of the tune from the 1945 Betty Grable film has the charm.
This version did get adult contemporary airplay in 1976, and features Herb Alpert on trumpet, Jim Gordon on drums, Carole King’s ex-husband, Charles Larkey, on bass, Bostonian Alan Estes on percussion, and even labelmate Lesley Gore on backing vocals.
Bobby Rozario’s orchestration is lovely, but what needed to happen here was to have Lesley Gore duet with the singer.
Peter Allen was just too overbearing for a world where even Barry Manilow at his most ostentatious could wink and get away with it.
The other problem with this album is the production by Brooks Arthur, the same dilemma Lesley Gore’s Love Me by Name album suffered at the hands of Quincy Jones — a term producer Jimmy Miller called overproduction.
Mr. Miller often said there is no right or wrong in production, but there was half a wink when he said that. At the top of his game he may have brought Peter Allen’s vocals down a bit in the mix of “Harbour” and let the music swell.
A beautiful composition by the singer, his vocals are so far out in the mix that the elegance is totally drowned out.
Where Ronnie Milsap would get away with being loud on a song like “Harbour” is where Allen ventures — and succeeds — on the title track, “Taught by Experts.”
This is blues/schmaltz/pop/cabaret, and it is the best track on the record with its fatalist view on love: “better you get hurt than me.”
It’s a professor of love teaching love that is tough. The late Peter Allen had an army of friends to help him: Carole Bayer Sager co-wrote four of the six songs on side one, Adrienne Anderson another, while the vocalist composed most of side two.
“Quiet Please, There’s a Lady on Stage” is, no doubt, for his ex-mother-in-law, Judy Garland. It’s the singer with just his piano for the first couple of verses, and it is also a highlight, but the voice — again — is so far out in the mix that the excellent musicianship doesn’t have the opportunity to buoy the singer/songwriter.
Sure, he’s got great pipes, and sure, these are a bunch of pros executing the music with absolute precision.
What was needed was a bit more soul and a lot more breathing room for the parts.
Sometimes artists on this level get too sure of themselves, and some kind of perspective seems lost during the recording of Taught by Experts.
The album includes Peter Allen’s staple, “I Go to Rio,” and as a testament to his life in the business.


Side one
1.  Puttin’ Out Roots – 3:32
2.  She Loves To Hear The Music – 3:16
3.  Back Doors Crying – 4:46
4.  I Go To Rio – 3:17
5.  Planes – 3:05
6.  Quiet Please, There’s A Lady On Stage – 5:08

Side two
1.  This Time Around – 3:15
2.  The More I See You – 3:30
3.  Harbour – 3:36
4.  (I’ve Been) Taught By Experts – 3:12
5.  Six-Thirty Sunday Morning/New York, I Don’t Know About You – 5:01

Personnel

Credits


Notes
Release:  1976
Format:  LP, Vintl
Genre:  Easy Listening, Disco
Label:  A&M Records
Catalog#  AMLH 64584

Vinyl:  Goed  (Excellent)
Cover:  Lichte Gebruikerssporen (VG)

Prijs: €7,00
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Wild Bill Davis & Buddy Tate - Midnight Slows Vol.2 (1976) (vinyl LP) - €5,00

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George Holmes "Buddy" Tate (February 22, 1913 – February 10, 2001) was an American jazz saxophonist and clarinetist.
Wild Bill Davis (November 24, 1918 – August 17, 1995) was the stage name of American jazz pianist, organist, and arranger William Strethen Davis. 
He is best known for his pioneering jazz electric organ recordings and for his tenure with the Tympany Five, the backing group for Louis Jordan. 
Prior to the emergence of Jimmy Smith in 1956, Davis (whom Smith had reportedly first seen playing organ in the 1930s) was the pacesetter among organists.
"Midnight Slows Vol.2" is a 1972 soul-jazz album by organist Wild Bill Davis and saxophonist Buddy Tate, released on the French Black and Blue label. 
It features a warm, late-night swing and blues session, emphasizing laid-back grooves, with some releases featuring additional artists like Milt Buckner. 
"Midnight Slows Vol.2" is considered an excellent example of 1970s European-produced mainstream jazz, emphasizing the bluesy, swing-based capabilities of its veteran performers. 


Side one
1.  Do You Know What It Means To Miss New-Orleans - 4:22
2.  Moonlight In Vermont - 2:40
3.  Prelude To A Kiss - 3:13
4.  Indian Summer - 6:42

Side two
1.  For All We Know - 3:10
2.  East Of The Sun - 4:38
3.  Memories Of You - 4:26
4.  Willow Weep For Me - 4:36


Notes
Released:  1976
Format:  Vinyl, LP
Genre:  Soul-Jazz
Label:  Black And Blue ‎
Catalog#  333.045

Vinyl:  Goed  (Excellent)
Cover:  Goed  (Excellent)

Prijs: €5,00
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Carlos Santana / Mahavishnu / John McLaughlin - Love Devotion Surrender (1973) (vinyl Lp) - €5,00

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"Love Devotion Surrender" is een gezamenlijk studioalbum van de gitaristen Carlos Santana en John McLaughlin, uitgebracht op 18 juni 1973 door Columbia Records. 
Het album markeert een spiritueel en muzikaal keerpunt voor beide artiesten, die destijds volgelingen waren van de goeroe Sri Chinmoy.
Het album is grotendeels een eerbetoon aan de legendarische saxofonist John Coltrane en bevat interpretaties van zijn composities "A Love Supreme" en "Naima".
De plaat wordt beschouwd als een mijlpaal in de jazzfusion, gekenmerkt door explosieve gitaarduetten en complexe improvisaties.
De muzikanten waren afkomstig uit de bands van beide gitaristen (Santana en The Mahavishnu Orchestra), waaronder Billy Cobham op drums en de legendarische jazzorganist Larry Young.
Het album verscheen vlak nadat Carlos Santana met het album Caravanserai een meer experimentele jazz-richting was ingeslagen. 
Hoewel sommige rockfans van Santana moeite hadden met de abstracte stijl, werd het album door critici geprezen om de technische virtuositeit en spirituele intensiteit. 
Het werd in 1973 gecertificeerd als Gold in de Verenigde Staten.


Side one
1.  A Love Supreme - 7:48
2.  Naima - 3:09
3.  The Life Divine - 9:30

Side two
1.  Let Us Go Into The House Of The Lord - 15:45
2.  Meditation - 2:45


Notes
Released:  1973
Format:  LP, Vinyl
Genre:  Latin Jazz, Fusion
Label:  CBS Records
Catalog#  S 69037
Prijs:  €5,00

Vinyl:  Goed  (Excellent)
Cover:  Voorkant Beschadigd  (VG) Gatefold

Prijs: €5,00
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Gheorghe Zamfir - Das Star-Album (1979) (vinyl 2Lp) - €10,00

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Gheorghe Zamfir - Das Star-Album is een verzamelalbum (compilatie) van de Roemeense panfluitist, uitgebracht in 1979 in Duitsland door Ariola. 
Dit bekende 2-LP album, vaak onder de Pandora- of Ariola-labels, bevat een selectie van zijn Folk, World en Country muziek. Het album wordt gewaardeerd als een verzameling van zijn beste werk uit die periode. 
Dit album bevat nummers uit zijn succesvolle periode, waaronder waarschijnlijk nummers vergelijkbaar met zijn hit "Einsamer Hirte" (met James Last), die rond die tijd populair was. 
Het wordt ook wel gezien als een "Star-Album" of "Star Magazin". 






Side one
1.  Suite Transilvana (Transsilvanische Suite) – 4:24
2.  Doina (Hirtenlied) – 3:14
3.  Bocet (Lamentation-Klagelied) – 9:13
4.  Le Grand Blon (Der Große Blonde) – 2:22

Side two
1.  Sirba Si Coragheasca (Zwei Tänze) – 3:28
2.  Suita Olteneasca – 9:53
     (a) Au Plecat Olteni Coasca (Die Oltenier Gehen Aufs Feld)
     (b) Rustemul (Tanz)
     (c) Dianca (Tanz)
     (d) Sirba (Tanz)
     (e) Briul (Tanz)
     (f) Calusul (Tanz)
3.  Cintec De Nunta (Hochzeitslied) / Hora Munteneasca (Hora – Tanz Aus Muntenien) / Briul (Tanz) – 6:58

Side three
1.  Hora Ca La Caval (Hirtentanz) – 2:00
2.  Doina De Jale (Gebet Für Einen Freund) / Ciocirlia (Die Nachtigall) – 11:17
3.  Mocerita Cou Trifoi (Auf Dem Kleefeld) – 4:05
4.  Sirba (Tanz) – 2:02

Side four
1.  Bucium (Ruf Des Alphorns) / Cintecul Lui Jancu Jianu (Lied Des Jancu Jianu) / Hora Din Jianu (Tanz Von Jianu) / Briul Oltenesc (Tanz Aus Oltenien) – 5:45
2.  Babouchka – 2:02
3.  Doina Din Arges (Lied Von Arges) / Hora Ca La Caval (Hirtentanz) – 10:07
4.  Ca La Breaza (Tanz Von Breaza) – 2:28


Notes
Released: 1979
Series:  Das Star Album –
Format:  2 × Vinyl, LP, Compilation
Genre:  Folk, World, & Country
Label:  Ariola 
Catalog#  300 436-370
Prijs: €10,00

Vinyl:  Goed (Excellent) 2LP
Cover:  Goed (Excellent) Gatefold

Prijs: €10,00

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Nina Hagen + Band - Unbehagen (1979) (vinyl LP) - €5,00

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"Unbehagen" is the second studio album by Nina Hagen Band, released in 1979 by CBS Records. It is the last album released by the band, before Nina Hagen decided to pursue a solo career. 
The band kept on performing under the name Spliff.
The album produced three singles, “African Reggae”, “Herrmann hiess er” and “Auf’m Rummel”. 
“Herrmann hiess er” deals with drug addiction and is believed to be about Hagen’s ex-boyfriend Herman Brood. 
An accompanying music video was also released. 
The album also contains a German cover version, “Wir leben immer… noch”, of Lene Lovich‘s hit single “Lucky Number“. 
The song “Wenn ich ein Junge wär” was recorded live in April 1979 at the Saarbrücken Congress Hall.
The Album “Unbehagen” (which means discomfort or unease), was produced with the band recording their tracks in Berlin and Hagen recording the vocals in Los Angeles. 
The other band members went on as the band “Spliff”.
Meanwhile Hagen´s public persona was steadly creating media uproar and she became infamous for an appearance on an Austrian talk show called Club 2, in which she simulated masturbation.
She also acted with Dutch rocker Herman Brood and singer Lene Lovich in the movie “Cha Cha”.
The album was a chart success and was certified Gold in Germany in 1981.



Side one
1.  African Reggae - 6:17
2.  Alptraum - 6:10
3.  Wir Leben Immer… Noch (Lucky Number) - 4:53
4.  Wenn Ich Ein Junge Wär (Live-Version) - 2:14

Side two
1.  Herrmann Hieß Er - 6:34
2.  Auf’m Rummel - 4:32
3.  Wau Wau - 2:07
4.  Fall In Love Mit Mir - 3:47
5.  No Way (Instrumental) - 1:05


Companies, etc.

Credits

Notes
Released: 1979
Genre:  Punk Rock / Neue Deutsche Welle
Label:  CBS Records
Catalog#  CBS 84104

Vinyl:  Goed (G)
Cover:  Gebruikerssporen (G)

Prijs: €5,00
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