Tony Orlando & Dawn - Greatest Hits (1976) (LP) - €5,00

Tony Orlando and Dawn (also known simply as Dawn) is an American pop music group that was popular in the 1970s, composed of singer Tony Orlando and the backing vocal group Dawn (Telma Hopkins and Joyce Vincent Wilson). 

Their signature hits include "Candida", "Knock Three Times", "Tie a Yellow Ribbon Round the Ole Oak Tree", "Say, Has Anybody Seen My Sweet Gypsy Rose", and "He Don't Love You (Like I Love You)". 

Side A

A1.  Tie A Yellow Ribbon Round The Ole Oak Tree   

A2.  Say, Has Anybody Seen My Sweet Gypsy Rose?   

A3.  You’re A Lady   

A4.  Who’s In The Stawberry Patch With Sally   

A5.  You Say The Sweetest Things   

A6.  Steppin’ Out, I’m Gonna Boogie Tonight   

Side B

B1.  Candida   

B2.  Knock Three Times   

B3.  What Are You Doing Sunday   

B4.  Summer Sand   

B5.  Look In My Eyes Pretty Woman 

Companies, etc.

• Printed By – Garrod & Lofthouse International Ltd.
• Record Company – Music For Pleasure Limited
• Licensed From – Columbia Pictures Industries, Inc.
• Phonographic Copyright ℗ – Bell Records
• Pressed By – EMI Records

Credits

• Mastered By – HTM

Notes

Release: 1976

Format: LP, Vinyl, UK Compilation, Reissue

Genre:  Pop-vocal

Label: BELL

Catalog# MFP 50323

Vinyl: Goed (G)

Cover: goed (G)

Prijs: €5,00

 

The 5th Dimension - Let The Sunshine In (1969) )LP) - €10,00

The 5th Dimension is an American vocal group. Their music encompasses sunshine pop, pop soul, and psychedelic soul.

Formed as the Versatiles in late 1965, the group changed its name to "the 5th Dimension" by 1966. Between 1967 and 1973, they charted with 20 top 40 hits on the Billboard Hot 100, two of which – "Up, Up and Away" (no. 7, 1967) and the 1969 number one "Medley: Aquarius/Let the Sunshine In (The Flesh Failures)" — won the Grammy Award for Record of the Year. Other big hits include "Stoned Soul Picnic" (no. 3), "Wedding Bell Blues" (no. 1), "One Less Bell to Answer" (no. 2), a cover of "Never My Love" (pop no. 12/Easy Listening no. 1), "(Last Night) I Didn't Get to Sleep at All" (no. 8), and "If I Could Reach You" (pop no. 10/Easy Listening no. 1). Three of their records reached the top ten of Billboard's Rhythm & Blues/Soul chart. Five of their 19 top 20 hits on the Easy Listening chart reached number one.

The five original members were Lamonte McLemore, Marilyn McCoo, Florence LaRue, Ronald Townson, and Billy Davis Jr. Their earliest recordings were on the Soul City record label, which was started by recording artist Johnny Rivers. The group later recorded for Bell/Arista Records, ABC Records, and Motown Records.

Some of the songwriters who worked with the 5th Dimension went on to careers of their own, especially Ashford & Simpson, who wrote the song "California Soul". The group is also notable for having more success with the songs of Laura Nyro than Nyro did herself, particularly with "Stoned Soul Picnic", "Sweet Blindness", "Wedding Bell Blues", "Blowin' Away" and "Save the Country". The group also recorded songs by well-known songwriters including Burt Bacharach and Hal David ("One Less Bell to Answer") and Jimmy Webb, who wrote "Up, Up and Away". The group's 1967 LP The Magic Garden features all but one song composed by Webb.

The 5th Dimension's producer Bones Howe used Bob Alcivar as the singers' vocal arranger as well as instrumental backing by the Wrecking Crew for their recording sessions.

Side A

A1.  Aquarius/Let The Sunshine In (medley from the American Musical “Hair”) - 3:50

A2.  California Soul - 3:14

A3.  The Magic Garden - 2:41

A4.  Ticket To Ride - 4:00

A5.  Sweet Blindness - 3:24

Side B

B1.  Up Up And Away - 2:40

B2.  The Girl´s Song - 3:43

B3.  Go Where You Wanna Go - 2:!5

B4.  Carpet Man - 3:05

B5.  Learfn How To Fly - 2:50

B6.  It´s A Great Life - 3:05

Companies, etc.

• Record Company – Liberty Records GmbH
• Manufactured By – Liberty Records GmbH
• Printed By – Carl v. d. Linnepe

Credits

• Producer – Bones Howe, Johnny Rivers

Notes

Release: 1969

Format:  LP, Vinyl

Genre:  Psychedelic soul

Label:  S.R International/Liberty

Catalog#  79541

Vinyl:  Goed (VG)

Cover:  Goed (VG)

Prijs: €10,00

Cat Stevens - The View From The Top (1975) (2LP) - €10,00

Slightly odd compilation featuring a hotch potch of Tracks from the first 2 albums, and a random smattering of non album A & B sides:

From the 1st LP "Matthew and Son" (1967) and 2nd LP "New Master" (1967)

Side A

A1. Where Are You  (3:00)

A2. Northern Wind  (2:48)

A3. It’s A Supa (Dupa) Life  (2:50)

A4. Lady  (3:00)

A5. Bring Another Bottle Baby  (2:40)

A6. Granny  (3:10)

Side B

B1. The Tramp  (2:05)

B2. I’m So Sleepy  (2:19)

B3. Blackness Of The Night  (2:27)

B4. The First Cut Is The Deepest  (3:00)

B5. Come On Baby (Schift That Log)  (3:48)

B6. Humming Bird  (2:31)

Side C

C1. The View From The Top  (3:00)

C2. Portobello Road  (2:23)

C3. I’m Gonna Be Kind  (2:26)

C4. Moonstone  (2:14)

C5. I Love Them All  (2:08)

C6. I’ve Found A Love  (2:26)

Side D

D1. Come On And Dance  (2:05)

D2. Image Of Hall  (3:02)

D3. I’m Gonna Get Me A Gun  (2:12)

D4. A Bad Night  (3:10)

D5. Ceylon City  (2:28)

D6. School Is Out  (2:56)

Companies, etc.

• Made By – TELDEC »Telefunken-Decca« Schallplatten GmbH
• Pressed By – Teldec-Press GmbH

Credits

Written-By – Stevens (tracks: A1 to C1, C3 to D6)

Notes

Release:  1975

Format:  2LP, Vinyl, Compilation

Genre:  Folk-pop

Label:  Deram Records (2LP)

Catalog#  DPA 3019/20

Vinyl:  Goed (G)

Cover:  Goed (G)

Prijs: €10,00

Various - The Very Best Of (1969) (LP) - €5,00

Dutch pressing with black/silver labels in gatefold sleeve.
A compilation of .... compilations!

Side A

A1.  Jackie Davis - What’s The Trouble

A2.  Al Martino - Spanish Eyes

A3.  Nancy Wilson - How Glad I Am

A4.  Glen Campbell - Wichita Lineman

A5.  Peggy Lee - Big Spender

A6.  The Mamas And Papas - California Dreaming

Side B

B1.  Joe Loss - Poppa Yo Qiero

B2.  The Mike Sammes Singers - Somewhere My Love

B3.  Gilbert Bécaud - Nathalie

B4.  Matt Monro - Walkaway

B5.  Cliff Richards - Don’t Forget To Catch Me

B6.  Franck Pourcell - If I Only Had Time

Companies, etc.

• Manufactured By – N.V. Bovema
• Lacquer Cut At – Bovema / EMI Studios – 13247
• Lacquer Cut At – Bovema / EMI Studios – 13248
• Printed By – HABO

Notes

Released: 1969

Series:  The Best Of

Format:  Vinyl, LP, Compilation

Country:  Netherlands

Genre:  Pop, Country, Franstalig, Easy Listening

Label:  Columbia  Records

Catalog# 5C 054.24169

Vinyl: Goed (VG)

Cover: Goed (VG)  Gatefold

Prijs: €5,00

Ronnie Tober - De Beste Van (1972) (LP) - €5,00

Ronald Edwin Tober (Bussum, 21 april 1945) is een Nederlandse zanger. 

In 1963 bracht Tober een bezoek aan familie in Nederland. Deze bracht hem in contact met Willem Duys, die hem vervolgens uitnodigde om op te treden in zijn programma Voor de vuist weg, op 27 december. 

Hij zong er Up a lazy river en viel daarmee op. 

Hij besloot daarom in augustus 1964 voorgoed terug te keren naar Nederland. Hij tekende een platencontract met Phonogram/Philips en zijn eerste single Iedere avond kwam in februari 1965 in de hitparade. Hij kwam onder de hoede van René Sleeswijk van de Snip en Snap Revue. 

In 1965 nam hij deel aan het nationale songfestival. Met het nummer Geweldig behaalde hij de tweede plaats. 

Hij moest Conny Vandenbos met  't Is genoeg echter voor laten gaan en zij ging naar het songfestival in Napels. In 1966 won hij de tweede prijs op het Songfestival van Knokke. 

Tober werd door Eric Krans, hoofd lichte muziek AVRO Radio, gevraagd om samen met Ann Burton naar het songfestival in Sopot te gaan. 

Hier ontving hij een eervolle eerste plaats met zijn vertolking van Showtime on Broadway. In 1968 deed hij mee aan het Eurovisiesongfestival in Londen en eindigde hij met het nummer Morgen op de zestiende plaats, een met Finland gedeelde laatste plaats. 

Het liedje werd ook geen hit, maar de Engelse versie getiteld Someday in de uitvoering van The Blue Diamonds wel. 

Tober stond desalniettemin in zijn succesvolste jaren - de periode 1965-1975 - geregeld in de hitparade met nummers als Verboden vruchten, Arrivederci Ans, Rozen voor Sandra. 

Naar de kermis en Een witte eend zong hij in duet met Ciska Peters. Hij was ook regelmatig te gast in diverse radio- en tv-programma's van o.a. Corry Brokken, Willy en Willeke Alberti; hij had eveneens jarenlang zijn eigen tv-show bij de KRO en de AVRO, waarin hij gasten ontving als Conny Vandenbos, Corrie van Gorp, Roger Whittaker en vele anderen.

Side A

A1.  Iedere avond - 2:27
A2.  Rozen voor Sandra - 2:33
A3.  Marijke uit Krabbendijke - 1:57
A4.  Met een roos in je blonde haren - 2:37
A5.  Carmen - 2:40
A6.  Morgen - 2:30

Side B
B1.  Geweldig - 2:05
B2.  Verboden vruchten - 2:42
B3.  Petite mademoiselle - 3:55
B4.  O, Christina - 2:33
B5.  Laat me niet alleen - 2:30
B6.  Arrivederci Ans - 3:14

Notes
Release:  1972
Format:  Vinyl, LP, Compilation
Country:  Netherlands 
Genre:  Nederlandstalig

Label:  Philips Records 

Catalog#  6440174

Vinyl:  Goed (VG)
Cover:  Goed (VG)

Prijs: €5,00

Harry Belafonte - Paradise In Gazankulu (1988) (LP) - €10,00

Paradise in Gazankulu is the final studio album by Harry Belafonte, released by EMI Records in 1988. The album deals with the plight of black South Africans under the Apartheid system.

In 1988, Harry Belafonte turned 61 years old. After releasing exactly one album of new material in fifteen years, Belafonte showed the world that he still had enough in him to issue a collection of vital, exciting music with a point of view. 

The cause that triggered this creative explosion was South Africa's apartheid system. 

Long an advocate of black sovereignty in the country, Belafonte combined anger, defiance, and pride in this invigorating selection of songs, recorded in Johannesburg and featuring South African artists such as Brenda Fassie and Youssou N'Dour. 

The wry, cynical humor in protest songs such as the title track, "Move It" and "Kwela (Listen to the Man)" hearken back to similarly constructed political songs from the West Indies. 

This album jumpstarted Belafonte's stalled recording career and was released along with concert videos of Belafonte and a variety of African recording artists supported by Kodak's home video division. Unfortunately, Belafonte has not been seen in the recording studio since.

Since introducing the world to Zenzile Miriam Makeba on the Grammy-winning An Evening with Belafonte and Makeba in 1965, “the King of Calypse” had been an outspoken critic of apartheid, and as such a persona non grata in SA. 

In 1988 he recorded his first new album in fifteen years, a showcase of South African music and politics entitled Paradise in Gazankulu. 

Unable to enter the country, however, Belafonte had to add his vocals in American studios after the music was first recorded at Powerhouse Studios in Joburg.

Compared to Paul Simon's Graceland (1986), Belafonte drew from an equally, if not more, impressive line-up of local talent, including members of the legendary Makgonatsohle Band like Marks Mankwane (guitar) and West Nkosi (pennywhistle). Pennywhistler turned saxman Lemmy "Special" Mabaso, also came on board, along with members of the mighty Soul Brothers, singers Marilyn and Tu Nokwe, and Tsonga guitarist Obed Ngobeni, whose hit song “Kuhluvukile Ka Zete” supposedly first inspired the album (the same “Kazet” usually credited to the Mahotella Queens and rehashed by Descloux). 

Bakithi and Vusi Khumalo returned from Graceland, while younger talent included Brenda Fassie, her ex-husband and keyboardist Dumisani Ngubeni, and Hotline guitarist Alistair Coakely,

American songwriter Jake Holmes shared the credit with various local contributors. Though neither as trendy as McLaren and Descloux’s projects, nor as successful as Graceland, Paradise addressed the political climate of the time with defiance, pride and anger, effectively blending local and western sounds. 

Standout tracks include “Amandla”, “Sisi wami” and “Monday to Monday,” an upbeat duet between Belafonte and MaBrr.

Side A

A1.  We Are The Wave - 3:32

A2.  Paradise In Gazankulu - 4:27

A3.  Skin To Skin - 4:25

A4.  Amandla - 4:05

A5.  Kwela (Listen To The Man) - 4:00

Side B

B1.  Monday To Monday - 4:14

B2.  Global Carnival - 3:43

B3.  Capetown - 3:58

B4.  Sisiwami (Sweet Sister) - 4:49

B5.  Move It - 4:57

Personnel

• Harry Belafonte – vocals
• Alistair Coakely – guitar
• Jose Alves – guitar
• "Stompie" Themba Dlzmini – guitar
• Laurence Matshiza – guitar, background vocals
• V. Mkhize – guitar
• Maxwell "China" Mngadi – guitar
• José Neto – guitar
• Oben Ngobeni – guitar
• Marks Makwane – guitar
• Alex Acuña – percussion
• Neil Clarke – percussion
• Youssou N'Dour – percussion
• Chi Sharpe – percussion
• Assane Thiam – percussion
• Babakar Meaye – percussion
• Richard Cummings – keyboards
• Christopher Dlathu – bass
• Bakithi Kumalo – bass
• Denny Laloutte – bass
• Thembile Michael Masoka – bass
• Joseph Mokwela – bass
• Sicelo Ndlela – bass
• Vusi Khumalo – drums, background vocals
• Lucky Monoma – drums
• Bongani Nxele – drums
• Richie Marrero – keyboards, background vocals
• Mduduzi Mlangeni – keyboards
• Dumisane Ngubeni – keyboards
• Moses "Crocodile" Ngwenya – keyboards
• Hilton Rosenthal – keyboards, guitar
• West Nkosi – pennywhistles
• Victor Paz – trumpet
• Francis Bonny – trumpet
• Wilmer Wise – trumpet
• Lemmy "Special" Mabaso – saxophone
• Ricky Ford – saxophone
• Morris Goldberg – saxophone
• Dick Griffin – trombone
• Carlos Ward – saxophone
• Jennifer Warnes – vocals on "Skin to Skin"
• Bobby Allende – background vocals
• Jake Holmes – background vocals
• Ralph Irizarry – background vocals
• Selina Khoza – background vocals
• Brenda Fassie – background vocals
• Sharon Brooks – background vocals
• John Cartwright – background vocals
• Jean Madubane – background vocals
• Debbie Malone – background vocals
• Ronnie Martin – background vocals
• David Masondo – background vocals
• Grace Ngobeni – background vocals
• Jane Ngobeni – background vocals
• Marilyn Nokwe – background vocals
• Tu Nokwe – background vocals
• Deborah Sharpe – background vocals
• Ty Stevens – background vocals

Production notes:

• Hilton Rosenthal – producer, drum programming
• Harry Belafonte – executive producer
• Richard Cummings – arranger, conductor
• Peter Thwaites – engineer
• Charlie Paakkari – engineer
• David Belafonte – engineer
• Larry Walsh – engineer
• Chris Rudy – engineer
• Tom Lewis – engineer
• Fernando Perdigao – assistant engineer
• Bobby Summerfield – mixer, engineer, drum programming, sampling, synthesizer programming
• Scott Ansell – assistant engineer
• Ellen Fitton – assistant engineer
• Billy Straus – assistant engineer
• Ben-Ben, Hahn – assistant engineer
• Peter Doell – assistant engineer
• Bernie Grundman – mastering
• David Nadien – concert master
• Chris Callis – photography
• Suzette Abbot – photography
• Carol Chen – design
• Henry Marquez – art direction

Notes

Released: 1988

Format:  Vinyl, LP, Album

Genre:  Reggae, Pop

Style:  Calypso, Ballad

Label:  EMI-Manhattan Records  

Catalog#  064-7469711

Vinyl:  Goed (VG)

Cover: Goed (VG)

Prijs: €10,00

Neil Diamond - September Morn (1979) (LP) - €10,00

September Morn is the thirteenth studio album by the American singer-songwriter Neil Diamond. Released in 1979, the album includes a disco version of the Motown song "Dancing in the Street" and a remake of "I'm a Believer".

On September Morn, Neil Diamond began to push the borders of easy listening, concentrating more on immaculately polished studiocraft than songcraft. 

The songs are quite inconsistent, and even the best songs -- "Dancing in the Street," "The Sun Ain't Gonna Shine Anymore," "Stagger Lee" -- are given inappropriately stiff and colorless arrangements. 

The title track nearly reaches the adult contemporary heights of "You Don't Bring Me Flowers," but overall the record demonstrates little personality.

 A good portion of the songs on September Morn are either written by industry songwriters or cowritten with them. While the title track is great, the majority of the memorable tracks on there, such as "The Shelter of Your Arms" or "The Good Lord Loves You", were not written by Neil.

Largely he sounds like he was dragged into the studio to put this together and really wished he was somewhere else. It was during this time that he was working on the movie version of You Don't Bring Me Flowers, which ultimately never materialized and instead led to him starring in the 1980 remake of The Jazz Singer. 

The quality of the movie aside, at least it lit a bit of a fire under him and moved him away from this schlock - at least briefly. Unfortunately, though, September Morn pretty much represents the final nail in the coffin of the Neil Diamond everyone loved, and set up a pattern of one or two truly good songs per album surrounded by forgettable tunes. 

It was a trend that would set in for the next three decades of his career, no matter how great he still was live.

Side A

A1.  September Morn - 3:51

A2.  Mama Don’t Know - 3:55

A3.  That Kind - 3:18

A4.  Jazz Time - 3:30

A5.  The Good Lord Loves You - 4:42

Side B

B1.  Dancing In The Street - 4:09

B2.  The Shelter Of Your Arms - 4:05

B3.  I’m A Believer - 2:23

B4.  The Sun Ain’t Gonna Shine Anymore - 3:39

B5.  Stagger Lee - 4:10

Companies, etc.

• Phonographic Copyright ℗ – CBS Inc.
• Copyright © – CBS Inc.
• Published By – Chappell
• Published By – EMA-Suisse
• Published By – Begonia Melodies
• Published By – Unichappell Music
• Published By – All Seasons Music
• Published By – Jobete Music Co., Inc.
• Published By – Print Music, Inc.
• Published By – Screen Gems-EMI Music Inc.
• Published By – Seasons Four Music
• Published By – Saturday Music
• Published By – Unart Music Corp.
• Published By – Stonebridge Music
• Pressed By – CBS, Haarlem – 01-86096
• Recorded At – Arch Angel Studios
• Recorded At – Indigo Ranch Studios
• Recorded At – Sunset Sound
• Recorded At – A&M Studios
• Recorded At – Cherokee Studios
• Recorded At – Dawnbreaker Studios
• Mastered At – The Mastering Lab
• Lacquer Cut At – The Mastering Lab

Credits

• Acoustic Guitar [Acoustic Guitars], Electric Guitar [Electric Guitars] – Doug Rhone, Richard Bennett
• Arranged By [Background Vocals Arranged By] – Bob Gaudio
• Art Direction, Design – David Kirschner
• Backing Vocals [Background Vocalists] – Becky Lopez Lewis, Julia Tillman Waters, Maxine Willard Waters, Shirley Mathews, Venetta Fields
• Bass – Reinie Press
• Concertmaster – Sid Sharp
• Coordinator [Production Coordinators, Mr. Diamonds Personal Secretary] – Alison Zanetos
• Coordinator [Production Coordinators] – Beatrice E. Marks
• Drums – Dennis St. John
• Engineer [Assistant Engineers] – Corey Bailey, Debra Thompson, Dennis Hansen, Ellis Sorkin, Frank D'Amico, Mark Sackett, Richard Leech, Tony D'Amico
• Engineer [Mixing Engineers] – Bill Schnee, Dave Evans, Ron Hitchcock
• Engineer [Recording Engineers] – Andy Bloch, Rick Ruggieri, Ron Hitchcock
• Mastered By [Mastering] – Lois Walker, Mike Reese
• Percussion – King Errisson, Vince Charles
• Photography By, Cover [Photography (Cover)] – Tom Bert
• Photography By, Sleeve [Photography (Sleeve)] – Ed Caraeff
• Piano, Keyboards – Tom Hensley
• Piano, Synthesizer – Alan Lindgren
• Producer – Bob Gaudio
• Rhythm Guitar – Neil Diamond
• Vocals – Linda Press

Notes

Released:  1979

Format:  Vinyl, LP

Genre:  Soft Pop

Label:  CBS ‎Records

Catalog#  86096

Vinyl:  Goed (VG)

Cover:  Goed (VG)

Prijs: €10,00

 

Elly & Rikkert met Kinderen - Kom En Zie (1981) (LP) - €10,00

Elly en Rikkert is een Nederlands echtpaar dat voornamelijk christelijke liedjes zingt, bestaande uit Elly Zuiderveld-Nieman en Rikkert Zuiderveld. 

Binnen christelijk Nederland zijn ze vooral bekend door hun kinderliedjes. Daarnaast heeft het koppel een uitgebreid oeuvre aan liedjes voor volwassenen.

Na het overrompelende succes van ‘Vertel het aan de mensen’ bleek er behoefte te zijn aan meer bijbels kindermateriaal. 

Dat resulteerde in de LP ‘Kom en zie’. Ook weer opgenomen met eigen kinderen, kinderen uit ons dorp en uit verschillende delen van het land.

Tim Griek van EMI gaf ons de volledige vrijheid om het doen op onze eigen manier, zoals altijd.

Deze plaat bevat alle ingredienten om kinderhersens te brainwashen. Vreselijke opdringerige manier van evangelisatie, wat ons toch al weinig goeds heeft gebracht. 

Elly & Rikkert weten met aanstekelijke deuntjes de kinderhersentjes op hol te laten slaan, om ze vervolgens barstensvol met onzin te stoppen. Vermoedelijk heeft de mens door deze plaat een aantal ruimdenkende personen minder.

Side A

A1.  Kom En Zie - 1:43
A2.  Kleine Witte Duif - 2:03
A3.  Zalig Bij Die Het Hoort - 1:14
A4.  Engelen - 2:07
A5.  De Muren Van Jericho - 1:27
A6.  Als Je Liefde Hebt Onder Elkaar - 1:07
A7.  Vijf Broden En Twee Vissen - 2:37
A8.  Loofhuttenfeest - 0:50
A9.  Mijn Hart Is Net Een Huis - 2:00
A10.  Al Waren Je Zonden Als Scharlaken - 1:28
A11.  Hosanna - 1:50

Side B
B1.  Alles Heeft De Here God Gemaakt - 1:40
B2.  Zo Hoog Als De Hemel - 1:57
B3.  U Weet ... - 1:38
B4.  Woestijndans - 0:59
B5.  Zoals Klei In De Hand Van De Pottebakker - 1:37
B6.  Zend Ook Mij - 2:17
B7.  Tien Maagden - 1:55
B8.  De Komst Van De Zoon Des Mensen - 1:28
B9.  1, 2, 3 - 1:02
B10.  Alles Wat Adem Heeft - 0:46
B11.  Hij Leeft! - 1:36
B12.  Kom En Zie - 1:38

Companies, etc.

• Marketed By – EMI
• Distributed By – EMI
• Manufactured By – EMI
• Recorded At – EMI Studios, Heemstede
• Recorded in the summer of 1981.

Credits

• Bass Guitar – Will De Meijer
• Design [Cover Design] – Jan Fijnheer
• Flute – Ary Jongman
• Illustration – Dean (48)
• Illustration [Back Cover] – Nella
• Lyrics By, Music By, Arranged By – Elly & Rikkert
• Percussion – Louis Debij
• Photography By – Fred Kosters
• Piano, Electric Piano, Synthesizer – Peter Schön
• Producer – Tim Griek
• Technician – Maarten Proost
• Vocals, Guitar, Bouzouki, Mandolin, Violin, Hummel, Recorder, Handclaps [Rhythm] – Rikkert
• Vocals, Guitar, Kazoo – Elly

Notes

Released: 1981

Format:  Vinyl, LP

Country:  Netherlands

Genre: Nederlandstalig

Label:  EMI Records

Catalog#  1A 058-26735

Vinyl:  Goed (VG)

Cover:  Goed (VG)  Gatefold

Prijs: €5,00

The Dutch Rhythm Steel And Show Band - The Best Of (1980) (LP) - €5,00

De Dutch Rhythm Steel & Show Band is een Nederlandse steelband met muzikanten van Surinaamse afkomst. 

In 1969 wordt de band in Zaandam opgericht door Adolf Tevreden en Bernito Riley. Ten tijde van de oprichting was Suriname nog onderdeel van het Nederlands koninkrijk. 

Ze spelen op een soort olievaten die tot slaginstrument zijn omgebouwd, wat de band een karakteristiek geluid geeft. In de beginperiode treden ze op onder de naam Silvertone Steel Band, maar in Duitsland ook als Trinidad Oil Company. 

Begin 1977 hebben ze een bescheiden hit (8 weken Top 40, #5) met January, February, dat het tot alarmschijf haalt, en de band nationale bekendheid geeft. In de jaren daarna is de band nog wel actief en treedt op op feesten en partijen. 

De samenstelling van de band wisselt regelmatig, maar de familieleden van oprichters Tevreden en Riley blijven actief.

Side A

A1.  January, February - 2:51 
A2.  Grandfather's Clock - 3:40 
A3.  Sina Were Saran Baboeng - 2:56 
A4.  Jesus Christ Superstar - 3:00 
A5.  Theme From Shaft - 2:42 
A6.  Amsterdam   

Side B
B1.  Lovely Alouette - 2:47 
B2.  Teansfield - 3:45 
B3.  Mie Senie Abay - 2:43 
B4.  Don't Tell Your Mama - 2:56 
B5.  Serenate - 2:04 
B6.  Rosalyn

Companies, etc.

• Phonographic Copyright ℗ – MFP Holland
• Copyright © – MFP Holland

Credits

• Producer – E. Anches (tracks: A6), Han Grevelt, Roy Beltman (tracks: A5, B5)

Notes
Released:  1980 
Format:  Vinyl, LP, Compilation
Country:  Netherlands 
Genre:  Latin, Steel Band, Disco

Label:  Music For Pleasure ‎

Catalog# 1A 022-58116

Vinyl:  Goed
Cover:  Lichte Gebruikerssporen

Prijs: €5,00

Cindy & Bert - Cindy & Bert (1972) (LP) - €5,00

Cindy and Bert were a German schlager vocal duo from Völklingen, Saarland consisting of Jutta Gusenberger (born 26 January 1948) and Norbert Berger (12 September 1945 – 14 July 2012. They were most successful in the 1970s, and are known for their participation in the 1974 Eurovision Song Contest.

One of the labels that the duo recorded for was the BASF label.

Gusenberger and Berger started singing together in 1965, and were married in 1967. They signed a recording contract in 1969, with singles being regularly issued, notably "Der Hund von Baskerville", an unlikely cover version of Black Sabbath's "Paranoid" which has become a collector's curiosity. 

Their most successful period came between 1972 and 1975 when they placed eight singles on the German chart, including their biggest hit "Immer wieder Sonntags" which reached #3.

Side A

A1.  Komm, Gib Mir Mehr - 2:56 
A2.  Liebe Muß Es Sein - 2:23 
A3.  Ich Hab' Heimweh - 3:24 
A4.  Wie Wir Beide Leben - 2:40 
A5.  Souvenirs Einer Liebe - 3:20 
A6.  Romeo Und Julia, Das Ideale Paar - 3:27 

Side B
B1.  Oh, Wie Schön - 3:03 
B2.  Sunny Sunshine - 3:50 
B3.  Chili Bimbam - 3:06 
B4.  Wo Führt Uns Zwei Die Reise Hin - 3:50 
B5.  Ich Hör' Musik - 2:27 
B6.  Geh' Die Straße - 2:50

Companies, etc.

• Pressed By – Sonopress – A-0936

Notes
Released:  1972 
Format:  Vinyl, LP
Country:  Germany 
Genre:  Duitstalig, Schlager

Label:  BASF 

Catalog# 20 21583-0

Vinyl:  Goed (G)
Cover:  Goed (G)

Prijs:  €5,00